At the moment I am very busy in my ceramic-studio. Every day I have been working there – focusing on new shapes, testing glazes on different clay bodies. My Kusamono don't get so much attention, they have to be happy to get water whenever they need it.
There is also an ongoing dispute between the potter and the nursery man: what is the appropriate shape of a pot? I know from my own experience that the pots with a wider opening are the easiest when it comes to repotting. Some of the fast growing species can fill a pot in one season. But the potter also likes the pots which are narrower at the top. This dispute is not yet over!
Most of the time I mix my glazes myself, I am reading everything about glazes in order to find what I am looking for. I have some reliable glazes that I really like.
For me the ceramics from the SUNG-period in China represent some of the most beautiful masterpieces. The shapes were simple, the glaze excellent and the glaze harmonizes so well with the shape of the pots. The ancient Chinese were master potters, and their glazes were miraculous. I always envy the people who have a gas kiln and can reproduce (or at least try to reproduce them) some of these extraordinary glazes. For most of these old Chines Glazes (Celadons; Temmokus: Oil Spot, Hare's Fur, Tea Dust; Copper Reds) you do Reduction Firing – you have to have a gas kiln) and in my electric kiln I do Oxidation firing.
In the past I also applied new glazes on my pots – without testing beforehand – and sometimes the result made me very happy and sometimes I got very frustrated because I ruined the pots with that glaze.
Therefore I invest more time in testing now.
At the moment I produce (for the first time) a bigger quantity of similar pots: they vary not much in size but some have rivets, some haven't. But the texture and the glaze are different. I really like this shape although you have to keep in mind that repotting can become a tricky operation. Better use some slow-growing species! For my glaze testing this approach seemed better to me than use different shapes with different glazes – you can never really compare because another shape my need another texture and glaze. Some of the pots you can see here.
I want my pots to be more than a piece of fired clay – they should carry a bit of my soul and my customer should also feel the spirit of TAKAHAMA.